All Tomorrow's Parties

A GRIPPING TECHNO-THRILLER BY THE BESTSELLING AUTHOR OF NEUROMANCER, THE THIRD NOVEL IN THE BRIDGE TRILOGY 'With more insight, wit and sheer style than any of his contemporaries Gibson continues to patrol the nebulous zones that separate science fiction, contemporary thrillers and genuine literature' Independent ----- The Bridge, San Francisco, after the quake: Ex-cop Berry Rydell has been hired by Colin Laney - who is hooked deep into the network of things - to go to San Francisco and act in such a way that he comes to the attention of a certain unspecified individual. This, Laney promises Rydell, could prove life-threatening. And now Rydell's been sent a package. Something that belonged to Laney, something that others with guns, blades and very bad attitudes want. And suddenly Rydell's running, trying get to the old Bridge, the shantytown where a man can get lost, be forgotten and wait for the end of the world - which is the other thing that Laney promised . . . William Gibson is a prophet and a satirist, a black comedian and an outstanding architect of cool. Readers of Neal Stephenson, Ray Bradbury and Iain M. Banks will love this book. This is the third novel in the Bridge trilogy - read Virtual Light and Idoru for more. ----- 'Scintillating . . . probably the most important novelist of the past two decades' Guardian 'Writing at flame intensity, Gibson conjures a world that seems just a breath away from the here and now' Salon

A GRIPPING TECHNO-THRILLER BY THE BESTSELLING AUTHOR OF NEUROMANCER, THE THIRD NOVEL IN THE BRIDGE TRILOGY 'With more insight, wit and sheer style than any of his contemporaries Gibson continues to patrol the nebulous zones that separate science fiction, contemporary thrillers and genuine literature' Independent ----- The Bridge, San Francisco, after the quake: Ex-cop Berry Rydell has been hired by Colin Laney - who is hooked deep into the network of things - to go to San Francisco and act in such a way that he comes to the attention of a certain unspecified individual. This, Laney promises Rydell, could prove life-threatening. And now Rydell's been sent a package. Something that belonged to Laney, something that others with guns, blades and very bad attitudes want. And suddenly Rydell's running, trying get to the old Bridge, the shantytown where a man can get lost, be forgotten and wait for the end of the world - which is the other thing that Laney promised . . . William Gibson is a prophet and a satirist, a black comedian and an outstanding architect of cool. Readers of Neal Stephenson, Ray Bradbury and Iain M. Banks will love this book. This is the third novel in the Bridge trilogy - read Virtual Light and Idoru for more. ----- 'Scintillating . . . probably the most important novelist of the past two decades' Guardian 'Writing at flame intensity, Gibson conjures a world that seems just a breath away from the here and now' Salon

"The ferociously talented Gibson delivers his signature m lange of technopop splendor and post-industrial squalor" ( Time ) in this New York Times bestseller that features his hero from Idoru ... Colin Laney, sensitive to patterns of information like no one else on earth, currently resides in a cardboard box in Tokyo. His body shakes with fever dreams, but his mind roams free as always, and he knows something is about to happen. Not in Tokyo; he will not see this thing himself. Something is about to happen in San Francisco. The mists make it easy to hide, if hiding is what you want, and even at the best of times reality there seems to shift. A gray man moves elegantly through the mists, leaving bodies in his wake, so that a tide of absences alerts Laney to his presence. A boy named Silencio does not speak, but flies through webs of cyber-information in search of the one object that has seized his imagination. And Rei Toi, the Japanese Idoru, continues her study of all things human. She herself is not human, not quite, but she's working on it. And in the mists of San Francisco, at this rare moment in history, who is to say what is or is not impossible...

"The ferociously talented Gibson delivers his signature m lange of technopop splendor and post-industrial squalor" ( Time ) in this New York Times bestseller that features his hero from Idoru ... Colin Laney, sensitive to patterns of information like no one else on earth, currently resides in a cardboard box in Tokyo. His body shakes with fever dreams, but his mind roams free as always, and he knows something is about to happen. Not in Tokyo; he will not see this thing himself. Something is about to happen in San Francisco. The mists make it easy to hide, if hiding is what you want, and even at the best of times reality there seems to shift. A gray man moves elegantly through the mists, leaving bodies in his wake, so that a tide of absences alerts Laney to his presence. A boy named Silencio does not speak, but flies through webs of cyber-information in search of the one object that has seized his imagination. And Rei Toi, the Japanese Idoru, continues her study of all things human. She herself is not human, not quite, but she's working on it. And in the mists of San Francisco, at this rare moment in history, who is to say what is or is not impossible...