All the Rage

The first girl came back. The next might not be so lucky... -------- 'A real gripper of a read' Peter James 'Masterful, engrossing, twisty' Rosamund Lupton 'One of our most exciting crime writers' John Marrs A girl is taken from the streets of Oxford. But it's unlike any abduction DI Fawley's seen before . . . Faith Appleford was attacked, a plastic bag tied over her head, taken to an isolated location . . . and then, by some miracle, she escaped. What's more, when DC Erica Somer interviews Faith, she quickly becomes convinced that Faith knows who her abductor is. Yet Faith refuses to press charges. Without more evidence, it's looking like the police may have to drop the case. But what happens if Faith's attacker strikes again? The fourth twisty, up-all-night thriller from the Sunday Times bestselling Cara Hunter. For fans of Shari Lapena, Claire Douglas and Lisa Jewell. -------- What they're saying about Cara Hunter ' Twist follows twist at a breathtaking pace' Daily Mail 'Fantastic...my favourite series ever!' Shari Lapena, Not A Happy Family 'You can almost hear her characters breathing from the page' Jane Corry, We All Have Our Secrets 'Utterly compelling' Nicci French, The Unheard 'A top-notch psychological thriller' JP Delaney, The Perfect Wife 'I was totally gripped and terrified!' Araminta Hall, Hidden Depths 'Hunter has rejuvenated the form' Financial Times And readers are loving this series, too 'All hail the new queen of all things crime' Penny, Netgalley 'Mind-bending brilliance' Kath, Netgalley 'Packed full of twists' Gary, Netgalley 'Definitely for fans of Lisa Gardner, Karin Slaughter and the like' Fiona, Netgalley 'Captivating: full of mystery, tension, moral dilemma . . . outstanding' Peter, Netgalley 'This series just gets better and better' Tina, Netgalley

The first girl came back. The next might not be so lucky... -------- 'A real gripper of a read' Peter James 'Masterful, engrossing, twisty' Rosamund Lupton 'One of our most exciting crime writers' John Marrs A girl is taken from the streets of Oxford. But it's unlike any abduction DI Fawley's seen before . . . Faith Appleford was attacked, a plastic bag tied over her head, taken to an isolated location . . . and then, by some miracle, she escaped. What's more, when DC Erica Somer interviews Faith, she quickly becomes convinced that Faith knows who her abductor is. Yet Faith refuses to press charges. Without more evidence, it's looking like the police may have to drop the case. But what happens if Faith's attacker strikes again? The fourth twisty, up-all-night thriller from the Sunday Times bestselling Cara Hunter. For fans of Shari Lapena, Claire Douglas and Lisa Jewell. -------- What they're saying about Cara Hunter ' Twist follows twist at a breathtaking pace' Daily Mail 'Fantastic...my favourite series ever!' Shari Lapena, Not A Happy Family 'You can almost hear her characters breathing from the page' Jane Corry, We All Have Our Secrets 'Utterly compelling' Nicci French, The Unheard 'A top-notch psychological thriller' JP Delaney, The Perfect Wife 'I was totally gripped and terrified!' Araminta Hall, Hidden Depths 'Hunter has rejuvenated the form' Financial Times And readers are loving this series, too 'All hail the new queen of all things crime' Penny, Netgalley 'Mind-bending brilliance' Kath, Netgalley 'Packed full of twists' Gary, Netgalley 'Definitely for fans of Lisa Gardner, Karin Slaughter and the like' Fiona, Netgalley 'Captivating: full of mystery, tension, moral dilemma . . . outstanding' Peter, Netgalley 'This series just gets better and better' Tina, Netgalley

Anger is all around us, from divisive social media arguments and heightened political divides to road rage and personal spats; from Black Lives Matter and climate justice movements to Trump, incels and white supremacists. When it materialises, it seems to cry out for recognition and response. It affects our bodies and can transition into violence. It can be inherited through the generations; it can manifest in criminal acts. What should we do with it, and can it ever be put to good use? Drawing on case studies of patients, developments in neuropsychology, literature, philosophy and recent political events, acclaimed author and psychoanalyst Josh Cohen identifies the different forms of anger, including the most untrammelled and elemental fury, the more cynical anger that works towards political unrest, and the questioning anger of political protest. Rather than an emotion to ignore, he argues that anger is a primary human feeling. It maps itself onto every aspect of our intimate lives while politically and culturally shaping our world. In a time of intense dissatisfactions and spiralling divisions, and with anger a dominating force, All the Rage offers a new and original understanding of anger, so we may better handle the rage within us.

Why do men do so little at home? Why do women do so much? Why don't our egalitarian values match our lived experiences? Journalist-turned-psychologist Darcy Lockman offers a clear-eyed look at the most pernicious problem facing modern parents-how progressive relationships become traditional ones when children are introduced into the household. In an era of seemingly unprecedented feminist activism, enlightenment, and change, data shows that one area of gender inequality stubbornly persists: the disproportionate amount of parental work that falls to women, no matter their background, class, or professional status. All the Rage investigates the cause of this pervasive inequity to answer why, in households where both parents work full-time and agree that tasks should be equally shared, mothers' household management, mental labor, and childcare contributions still outweigh fathers'. How, in a culture that pays lip service to women's equality and lauds the benefits of father involvement-benefits that extend far beyond the well-being of the kids themselves-can a commitment to fairness in marriage melt away upon the arrival of children? Counting on male partners who will share the burden, women today have been left with what political scientists call unfulfilled, rising expectations. Historically these unmet expectations lie at the heart of revolutions, insurgencies, and civil unrest. If so many couples are living this way, and so many women are angered or just exhausted by it, why do we remain so stuck? Where is our revolution, our insurgency, our civil unrest? Darcy Lockman drills deep to find answers, exploring how the feminist promise of true domestic partnership almost never, in fact, comes to pass. Starting with her own marriage as a ground zero case study, she moves outward, chronicling the experiences of a diverse cross-section of women raising children with men; visiting new mothers' groups and pioneering co-parenting specialists; and interviewing experts across academic fields, from gender studies professors and anthropologists to neuroscientists and primatologists. Lockman identifies three tenets that have upheld the cultural gender division of labor and peels back the ways in which both men and women unintentionally perpetuate old norms. If we can all agree that equal pay for equal work should be a given, can the same apply to unpaid work? Can justice finally come home?

Why do men do so little at home? Why do women do so much? Why don't our egalitarian values match our lived experiences? Journalist-turned-psychologist Darcy Lockman offers a clear-eyed look at the most pernicious problem facing modern parents-how progressive relationships become traditional ones when children are introduced into the household. In an era of seemingly unprecedented feminist activism, enlightenment, and change, data shows that one area of gender inequality stubbornly persists: the disproportionate amount of parental work that falls to women, no matter their background, class, or professional status. All the Rage investigates the cause of this pervasive inequity to answer why, in households where both parents work full-time and agree that tasks should be equally shared, mothers' household management, mental labor, and childcare contributions still outweigh fathers'. How, in a culture that pays lip service to women's equality and lauds the benefits of father involvement-benefits that extend far beyond the well-being of the kids themselves-can a commitment to fairness in marriage melt away upon the arrival of children? Counting on male partners who will share the burden, women today have been left with what political scientists call unfulfilled, rising expectations. Historically these unmet expectations lie at the heart of revolutions, insurgencies, and civil unrest. If so many couples are living this way, and so many women are angered or just exhausted by it, why do we remain so stuck? Where is our revolution, our insurgency, our civil unrest? Darcy Lockman drills deep to find answers, exploring how the feminist promise of true domestic partnership almost never, in fact, comes to pass. Starting with her own marriage as a ground zero case study, she moves outward, chronicling the experiences of a diverse cross-section of women raising children with men; visiting new mothers' groups and pioneering co-parenting specialists; and interviewing experts across academic fields, from gender studies professors and anthropologists to neuroscientists and primatologists. Lockman identifies three tenets that have upheld the cultural gender division of labor and peels back the ways in which both men and women unintentionally perpetuate old norms. If we can all agree that equal pay for equal work should be a given, can the same apply to unpaid work? Can justice finally come home?

Anger is all around us, from divisive social media arguments and heightened political divides to road rage and personal spats; from Black Lives Matter and climate justice movements to Trump, incels and white supremacists. When it materialises, it seems to cry out for recognition and response. It affects our bodies and can transition into violence. It can be inherited through the generations; it can manifest in criminal acts. What should we do with it, and can it ever be put to good use? Drawing on case studies of patients, developments in neuropsychology, literature, philosophy and recent political events, acclaimed author and psychoanalyst Josh Cohen identifies the different forms of anger, including the most untrammelled and elemental fury, the more cynical anger that works towards political unrest, and the questioning anger of political protest. Rather than an emotion to ignore, he argues that anger is a primary human feeling. It maps itself onto every aspect of our intimate lives while politically and culturally shaping our world. In a time of intense dissatisfactions and spiralling divisions, and with anger a dominating force, All the Rage offers a new and original understanding of anger, so we may better handle the rage within us.

A panoramic social history that chronicles the quest for beauty in all its contradictions--and how it affects the female body. "Women have been fat or slim, hyperthyroid or splenetic, sallow or pink-cheeked, slouched or erect, according to the prevalent notions of beauty." --Cecil Beaton, The Glass of Fashion Who decides what is fashionable? What clothes we wear, what hairstyles we create, what color lipstick we adore, what body shape is "all the rage". The story of female adornment from 1860-1960 is intriguingly unbuttoned in this glorious social history. Virginia Nicholson has long been fascinated by the way we women present ourselves--or are encouraged to present ourselves--to the world. In this book, we learn about rational dress, suffragettes' hats, the Marcel wave, the Gibson Girls, corsets, and the banana skirt. At the centre of this story is the female body, in all its diversity--fat, thin, short, tall, brown, white, black, pink, smooth, hairy, wrinkly, youthful, crooked, or symmetrical; and--relevant as ever in this context--the vexed issues of body image and bodily autonomy. We may even find ourselves wondering, whose body is it? In the hundred years this book charts, the Western world saw the rapid introduction of new technologies like photography, film, and eventually television, which (for better and worse) thrust women--and female imagery--out of the private and into the public gaze.

A panoramic social history that chronicles the quest for beauty in all its contradictions--and how it affects the female body. "Women have been fat or slim, hyperthyroid or splenetic, sallow or pink-cheeked, slouched or erect, according to the prevalent notions of beauty." --Cecil Beaton, The Glass of Fashion Who decides what is fashionable? What clothes we wear, what hairstyles we create, what color lipstick we adore, what body shape is "all the rage". The story of female adornment from 1860-1960 is intriguingly unbuttoned in this glorious social history. Virginia Nicholson has long been fascinated by the way we women present ourselves--or are encouraged to present ourselves--to the world. In this book, we learn about rational dress, suffragettes' hats, the Marcel wave, the Gibson Girls, corsets, and the banana skirt. At the centre of this story is the female body, in all its diversity--fat, thin, short, tall, brown, white, black, pink, smooth, hairy, wrinkly, youthful, crooked, or symmetrical; and--relevant as ever in this context--the vexed issues of body image and bodily autonomy. We may even find ourselves wondering, whose body is it? In the hundred years this book charts, the Western world saw the rapid introduction of new technologies like photography, film, and eventually television, which (for better and worse) thrust women--and female imagery--out of the private and into the public gaze.