Charles River The Vikings in Iceland

*Includes pictures *Includes medieval accounts *Includes online resources and a bibliography for further reading Like many civilizations of past millennia, the Vikings are remembered in popular culture more for the fantastical accounts of their history than for reality. The written records of the history of the Viking period, consisting mostly of Norse sagas, metaphoric poems called skalds and monastic chronicles, were written down well after the events they described and tended to be lurid accounts rife with hyperbole. Furthermore, the most scathing tales of Viking raids are contained in the histories of monastic communities which were targets of Norse rapacity. These chronicles speak of the heathen Viking depredations of monastic treasuries and the ferocious torture and killing of Christian monks. The colorful bloody tales were certainly based on more than grains of truth, but they were also purposefully augmented to inject drama into history. Similarly Norse sagas written down in the post-Viking Age fixed what had hitherto been flexible oral tradition. They were often slanted to legitimize a clan or leader's authority by emphasizing an ancestor's bravery and skill in pillaging opponent's communities. As a result, the almost ubiquitous depiction of the Vikings as horn-helmeted, brutish, hairy giants who mercilessly marauded among the settlements of Northern Europe is based on an abundance of prejudicial historical writing by those who were on the receiving end of Viking depredations, and much of the popular picture of the Vikings is a result of the romantic imagination of novelists and artists. For example, there is neither historical nor archaeological evidence that the typically red haired, freckled Norsemen entered battle wearing a metal helmet decorated with horns. This headgear was an invention of the Swedish painter and illustrator Johan August Malmstr m (1829-1901), and his work was so widely disseminated in popular books that the image stuck. Today the imaginary Viking helmet is an almost mandatory costume accessory in productions of Wagner's opera Der Ring des Nibelungen, which is not about the Vikings at all. It seems the horned helmet evolved from an imaginary reinterpretation of genuine Viking images of a winged helmet that may have been worn by priests in Viking religious ceremonies. The Norsemen were also medieval Europe's greatest explorers, moving across the North Atlantic to settle in Iceland, Greenland, and even North America. The first step in this epic journey was Iceland, a rugged island in the North Atlantic about 400 miles from the Faroe Islands and about 700 miles from the north coast of Scotland. Iceland has been called "the land of ice and fire," and the name is an apt one. Rugged fjords lead to towering glaciers. In spots, hot springs and geysers give a little warmth to green meadows and patches of bare, exposed bedrock. Active volcanoes loom over the landscape, sending plumes of smoke into the air and sometimes streams of lava far and wide. It's a land guaranteed to capture the imagination of an adventurous and pagan people who saw spirits in every hill and stream. Iceland was settled by the Norse in the late 9th century, and they started a thriving and unique culture at the edge of the known world. Until it was taken over by the Kingdom of Norway in 1262, it had no central government, instead consisting of a patchwork of large and small chiefdoms mediating disputes via an early form of the parliamentary system. The Vikings in Iceland: The History of the Norse Expeditions and Settlements across Iceland looks at the history of the Vikings' activities in Iceland, and how they affected subsequent exploration and colonization. Along with pictures depicting important people, places, and events, you will learn about the Vikings in Iceland like never before.