---
title: "Images in Spite of All Four Photographs from Auschwitz - Four Photographs from Auschwitz - Georges Didi Huberman - Paperback Bog - The University of Chicago Press - 2012 - Engelsk - Booktok.dk"
ean: "9780226148175"
brand: "The University of Chicago Press"
category: "Medier > Bøger"
price_min: 269
price_max: 295
currency: DKK
vendor_count: 2
in_stock: true
url: https://pricetracker.dk/p/9780226148175/images-in-spite-of-all-four-photographs-from-auschwitz-four
last_checked: 2026-10-20
---

# Images in Spite of All Four Photographs from Auschwitz - Four Photographs from Auschwitz - Georges Didi Huberman - Paperback Bog - The University of Chicago Press - 2012 - Engelsk - Booktok.dk

EAN 9780226148175 · Mærke: The University of Chicago Press · Kategori: Medier > Bøger

Sammenlign priser på Images in Spite of All Four Photographs from Auschwitz - Four Photographs from Auschwitz - Georges Didi Huberman - Paperback Bog - The University of Chicago Press - 2012 - Engelsk - Booktok.dk fra 2 forhandlere. Billigste pris nu: 269 kr hos Saxo DK. Se aktuelle priser og køb hos den billigste forhandler på https://pricetracker.dk/p/9780226148175/images-in-spite-of-all-four-photographs-from-auschwitz-four

## Priser
- **Billigste pris nu:** 269 kr hos Saxo DK
- **Prisspænd:** 269 kr – 295 kr på tværs af 2 forhandlere

## Forhandlere
| Forhandler | Pris | Levering |
|---|---|---|
| Saxo DK | 269 kr | 1-4 hverdage |
| Booktok | 295 kr | 1-3 dage |

## Om produktet
Beskrivelse fra forhandleren Saxo DK:

> Of one-and-a-half million surviving photographs related to Nazi concentration camps, only four depict the actual process of mass killing perpetrated at the gas chambers. Images in "Spite of All" reveals that these rare photos of Auschwitz, taken clandestinely by one of the Jewish prisoners forced to help carry out the atrocities there, were made as a potent act of resistance. Available today because they were smuggled out of the camp and into the hands of Polish resistance fighters, the photographs show a group of naked women being herded into the gas chambers and the cremation of corpses that have just been pulled out. Georges Didi-Huberman's relentless consideration of these harrowing scenes demonstrates how Holocaust testimony can shift from texts and imaginations to irrefutable images that attempt to speak the unspeakable. Including a powerful response to those who have criticized his interest in these images as voyeuristic, Didi-Huberman's eloquent reflections constitute an invaluable contribution to debates over the representability of the Holocaust and the status of archival photographs in an image-saturated world.

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